Another Bridge

A blog about writing, cycling, other stuff and ‘the search for the magnificent’*

subjective compendium

Posted by Gordon on December 28, 2010

From cultural appetites [on the scale of Joyce, Picasso, Stravinsky, and Godard (who though are "often more avid for cultural debris than for museum-consecrated achievements")] comes the creation of the work of art that is on the order of a subjective compendium: casually encyclopedic, anthologising, formally and thematically eclectic, and marked by a rapid turnover of styles and forms.

Sontag ‘Godard’  Styles of Radical Will Picador 2002 p 152

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